Thursday, September 16, 2010

TRACKWRITERZ MASTERING - MAJOR SOUND - AFFORDABLE RATES!!

WELCOME TO TRACKWRITERZ STUDIO!!





Get You Music Mastered

Trackwriterz Studio will Sample Master Your first track for new client’s for FREE! Here’s how it works:

1.Contact us via the website form to the right to book your project.

2.Upload the finished mixes for your Mixtape, LP, EP or Single to our servers or Send Space Drop Box.

3.Submit your payment Through Pay Pal or Your credit card Which won’t be billed until you’ve approved the first Sample Master.

4.When the first track is mastered, we’ll send you a 1:20 Second Snipit  for your approval. You Will Hear The Difference!! 



What Is Mastering ???
Mastering, a form of audio post-production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master); the source from which all copies will be produced (via methods such as pressing, duplication or replication). The format of choice these days is digital masters although analog masters, such as audio tapes, are still being used by the manufacturing industry and a few engineers who have specialized themselves in analog mastering.




The Best Mixing Levels For Mastering:

Although in reality there isn't such a thing as an "optimum mix level for mastering", the example on this picture to the right only suggests what mix levels are ideal for the studio engineer to render and for the mastering engineer to process.[2] It's very important to allow enough headroom for the mastering engineer's work. Many mastering engineers working with digital equipment would agree that a minimum of 3 to 6 dB of available headroom is critical to perform good mastering. Ideal peak levels should not exceed -3dBFSD and the average sum of the left and right channels should be at around -10 to -18 dBFSD




Decibels relative to full scale, commonly abbreviated dBFS, measures decibel amplitude levels in digital systems which have a maximum available peak level, like pulse-code modulation.

Please Don't Send Distorted/Clipped Files Unless that is all you have Available, because You will have lost Dynamics, and Have Cause Digital Distortion or Hardware Clipping!!



Engineers/Production/Mastering  -  16 Years Experience ( KP-Marcos )
Grammy Nominated Engineer/Producers King Penn (KP) - Marcos has worked on projects Warner Bros. EMI, Beyonce, Solange, Columbia, Sony, Undercurrent Records, U.N.V., Angelina, Dior, Young Dread, Trackwriterz Label Group, OTR Clique, Tonex, 50 Cent, Ray Lavender, John Lennon Songwriters, Maverick, MCA, Erika Dawn, My Tomato, The Big Boy Records, All Net Records, Raven Symoné, Vito, Nox, Def Jam, Soul 2 Seoul, Jontez, Dallas Austin, Boxxsir, Big House Records, Pastor Troy, Preemo, Trilyon, Smitty Productions-E.Smitty, Many 100's of Indie Label Artists...




We have Worked & Work With: 

SSL, Neve,Tascam, Yamaha, Sountrack, Mackie Digtal/analog, Trident, Digital/Analog Mixing Boards. 2Trk/16/24 1/4. 1/2. 2 Inch Tape Machines.. DA-88 Machines/ Alesis Adat (Old School) Machines.. Digidesign/Avid Pro Tools LE/HD, Nuendo, Cubase, Sonar, Samplitude, Reasons 1-4, FruityLoops 9, Sound Forge, Steinberg Wavelab, Waveburner, Sequoia Pro, Bias Peak, Logic, Digital Performer, T-Racks, Acid Pro 6, Adobe Audition 1-3,  Many 100 of Plugs (Waves SSL-Mercury Bundles, L1/L2/L3, URS, Softube, McDsp, Focusrite, Universal Audio, Uad-1/Uad-2,  Neve, Roland, BOSS, Empirical Labs, EMT, Fairchild, Harrison, Helios, Little Labs, Pultec, SPL, Teletronix, LA2A, 1176, API,  Ozone 4, Sonnox, Flux Epure, Tritone Eq, PSP Audioware, and more and Analog outBoard Gear (Summit Audio, Vari-Mu, Sontec, Drawmer, Avalon, Sony, Yamaha, Millennia, Prism, Pultec, API, TC Electronics, Presonus ....  To Name a Few, Lol...  :P

Vintage Ears In a Digital Industry!!!!


Trackwriterz Studio, Trackwriterz Beats, Mixing, Mastering, Cd Mastering, Trackwriterz Mastering, KP, Dior, Angelina, King Penn, TrackwriterzStu, Beat Mastering, Album Mastering

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